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About
the Exhibition
Into the Amazon: materials and manufacture in
the Amazon Basin, highlights this museum's important Amazonian
ethnographic
collections,
both old and new. The exhibition looks at raw materials and
the
way things are made. It examines the use of traditional and
new methods and materials, and the changing nature of production
for both domestic and tourist purposes.

Monica
Lima Carvalho working on an Epa mask from the Yoruba region
of south west Nigeria in the conservation laboratory at the
Royal Albert Memorial Museum and Art Gallery, 2000. |
This exhibition came about as a result of the internship at
this museum of conservator Monica Lima Carvalho from the University
Museum of Anthropology in Goias in Gioânia, Brazil. In
2000, Monica worked with our conservation department for 6 months.
This year a second intern from Brazil, Lucia Bastos, assisted
in the conservation of objects exhibited here.
Monica has worked with members of the Kuikúru people
from Xingu National Park, documenting their harvesting and use
of buriti palm leaf. In 2000, Monica collected examples of primary
materials such as cotton and palm fibre, seeds and dried fruits.
She donated these samples to Exeter Museum, as well as objects
made by the Txicoa, Kalapalo and Karajá people from the
Xingu National Park region and Tocantins. Monica also added to
our knowledge of the museum’s historical collections from
the Amazon Basin.
During the summer of 2003, Monica worked with the Karajá people
in Xingu. This gave her the opportunity to collect additional
material and record the artists/makers on video. You can see
this audio-visual material and related collections in this exhibition.

Morwena Stephens in the botanic gardens of the Museu
Paraense Emílio Goeldi in Belém, Pará State,
northern Brazil, October 2002.
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In October 2002 Morwena Stephens, an Exeter Museum conservator
visited museums in Rio de Janeiro, Belém and Goias. She
took with her a CD ROM of ethnographic object images from the
museum's collections. Ethnographers, museologists and conservators
at the Brazilian museums were able to add new layers of knowledge
and information to that held in the museum.

Lúcia Bastos, Museu do Indio.
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